Oiapok Strasbourg, France
Between the earth and the stars, between ecological concerns and cosmic visions, Oiapok transcends the boundaries of
progressive rock with future jazz sonorities.
Oiapok’s music draws its inspiration from progressive rock, 70’s funk, film soundtracks and Afro-Cuban rhythms. The group is shaking conventions with its non standard instrumentation and its various influences ...
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supported by 56 fans who also own “So Empty It Looks Real”
Mysterious, yet nostalgic, Isolubilia is truly an ode to the romance found in the pursuit of a mystery. Musically rich in turbulence and serenity, majesty and humbleness, this album made me feel both lonely, yet understood as an isolated individual. Perhaps we're all fellow romantics, looking up at the same night sky, trying to wring our own meaning out of the stars. I hope that pursuit never ends.
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supported by 53 fans who also own “So Empty It Looks Real”
The new live EP by Ryan W. Stevenson's project reminded me, that this debut album must have been gone down the wishlist... If instrumental Canterbury stuff is your thing, this should be a no-brainer. Firmly rooted in the past (late 60s, 70s), nevertheless with a fresh sound. Guests incude The Tangent's Andy Tillison and Soft Machine's Theo Travis.
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supported by 48 fans who also own “So Empty It Looks Real”
Desde A Coruña un delicado jazz progresivo con toques del mejor sonido Canterbury, elegantemente ejecutado .
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featured on Bandcamp Radio Aug 2, 2016
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Confluence
by Greg Dallas & Jan Esbra
Sail away on these foamy atmospheric electronic tracks that swell and expand slowly and patiently.
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Hour Of Solitude
by Blue Mantra Rhymes
Blue Mantra Rhymes, aka Ed Cooke, pays tribute to his current home of Bangkok and its folk traditions on this delicate new LP.
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supported by 45 fans who also own “So Empty It Looks Real”
got recc'd this on youtube and loved it- reminds me a lot of late 60's and early 70's records i used to hear playing out of my parents' stereo on sweltering summer days.
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